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Private detective Philip Marlowe solves many crimes in Los Angeles during the 1930s.
Relying on his wits, instinct, gun and whiskey private detective Philip Marlowe solves many of Los Angeles' worst crime cases during the 1930s. His style is sarcastic, his methods are unorthodox, his charm is adored by the ladies, his meddling is hated by the local cops, his wallet is often times empty and his skull is hardened by the many unexpected blows received in the dark. Despite his low social status, his constant drinking and the lowly company he keeps Philip Marlowe has very high moral standards and a very developed sense of justice. Often times he lends a helping hand to those in need who are at the bottom of society and also to tear-eyed attractive ladies in distress who can gift him a kiss and a drink. The crime mystery series are adapted from Raymond Chandler's short stories.
Really dedicated fans of Raymond Chandler may be disappointed that the writers for this series didn&#39;t see fit to stick to Chandler&#39;s stories without serious deviations. All eleven episodes either added characters, deleted characters, changed the stories to varying extents, or all of the above. Since I suspected this might be the case, having seen what was done to Edgar Allan Poe in a similar series on DVD recently, I made a point of re-reading each of the stories before viewing the movies. Only four of the episodes came moderately close to following the original story line: &quot;Nevada Gas&quot; (although this was not originally a Marlowe story), &quot;Finger Man&quot;, &quot;The King in Yellow&quot; (also not a Marlowe story), and &quot;Pickup on Noon Street&quot; (not Marlowe either). Most of the stories used were not originally about Marlowe, but at least were about Johnny Dalmas, a Marlowe prototype.<br/><br/>I suppose my view of the series is jaundiced by my long term enthusiasm for Raymond Chandler, having read the &quot;canon&quot; through at least half a dozen times since first meeting Philip Marlowe in FAREWELL MY LOVELY in 1943. Imagine my resentment when these writers presumed to &quot;improve&quot; on the master. As for the quality of what was produced as compared to what might have been produced if Chandler has been followed, it isn&#39;t &quot;bad&quot;; just not good enough. Powers Boothe clearly tries hard to be Marlowe, but he really doesn&#39;t fit my physical conception of the &quot;good man who walks the mean streets&quot;. I pictured Marlowe as rather tall, well built, not fat but with sufficient bulk to over-awe the sleazy characters he went up against. Robert Mitchum filled the bill in THE BIG SLEEP. Burt Lancaster would have also if he had ever essayed the role. Kathryn Leigh Scott (&quot;Annie Riordan&quot;) and Billy Kearns (&quot;Lt. Violets M&#39;Gee&quot;, as Chandler spelled the name) impressed me most favourably. You won&#39;t be bored watching this series, but if you are a really fanatic Chandler addict, you will be chagrined.
Raymond Chandler practically invented the detective noir genre with his Philip Marlowe novels and stories. The trench coat. The fedora. The monotone first-person narration and the cynical outlook on life. They all started with Raymond Chandler&#39;s Philip Marlowe.<br/><br/>So it&#39;s only appropriate that several actors have brought Phillip Marlowe to life over the years, most notably James Garner and Humphrey Bogart.<br/><br/>It&#39;s hard not to keep Humphrey Bogart&#39;s portrayal in mind when watching a Philip Marlowe mystery, and most actors understandably pale by comparison. That said, Powers Boothe still does a worthy job. You must put all of the sleazy roles he&#39;s ever played out of your head. He perfectly portrays Philip Marlowe as a cynical private investigator with a tough exterior but a heart of gold.<br/><br/>Samuel Matlovsky&#39;s musical score is the icing on the cake. The background music, and especially the haunting theme tune, definitely enhance the 1930&#39;s gumshoe atmosphere.<br/><br/>I&#39;ve only seen a few episode from the &#39;86 series. These episodes of &quot;Phillip Marlowe: Private Eye&quot; are filled with clever twist and turns, exciting gun fights, and plenty of tough-talking wise guys. If nothing else, they will inspire you to seek out the writings of Raymond Chandler.


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